Appendix: Bibliography

This is my expansion and update of the original bibliography aka Literaturverzeichnis on page 205 of Farbige Schatten – Der Kameramann Robert Krasker by Dr Falk Schwarz. Due to page size and word count limitations the printed book’s bibliography entries are abbreviated and truncated but there are no such limitations in websites and ebooks. I will add more detail here with further research.

Meanwhile a note about style: though I did not have good secondary and tertiary educations growing up in Western Australia I am aware that standard academic practice is to render authors’ names as surname, comma, given name.

I prefer the more common practice of given name followed by surname as it is humanizing and in the digital age is just as digitally searchable as established academic practice if not more more so, especially when using digital asset management applications like NeoFinder.

Achim Dunker, Die chinesische Sonne scheint immer von unten, Herbert von Halem Verlag, Konstanz, 2008, (new edition 2024).

C.A. Lejeune, The Lejeune Film Reader, Anthony Lejeune, editor, Carcanet, Manchester, 1991. Note: Author’s name is Caroline Lejeune.

Carl Theodor Dreyer, In Double Reflection: translation of Carl Th. Dreyer’s writing about the film (Om filmen), edited by Donald Skoller, Dutton, New York, 1973.

Charles Higham, Hollywood Cameramen: Sources of Light, Indiana University Press, London, 1970.

Charlton Heston, The Actor’s Life: Journals 1956-1976, Robbins, New York, 1978. 

David Thomson, The New Biographical Dictionary of Film, Alfred A. Knopf, New York, 4th edition, 2002. 

Derek Threadgall, Shepperton Studios: An Independent View, British Film Institute (BFI), London, 1994.

Duncan Petrie, The British Cinematographer, British Film Institute (BFI), London, 1996.

Gary Fishgall, Against Type: The Biography of Burt Lancaster, Scribner, New York, 1996.

Geoffrey Nowell-Smith, Luchino Visconti, Bloomsbury Publishing, London, 2003. 

George Krasker, The Kraskers, unpublished manuscript, London, 2000.

Harry Waldmann, Paramount in Paris, Scarecrow Press, London, 1998.

Herbert Lightman, The Photography of ‘El Cid’, in American Cinematographer, January 1962, page 30.

Hugh Edwards, Shark Bay: Through Four Centuries 1616-2000, Shark Bay Shire Council, Shark Bay, Western Australia, 1999.

Imago, Making Pictures: A Century of European Cinematography, London, 2003.

Jack Cardiff, Magic Hour, Faber & Faber, London, 2nd edition, 1996.

Jeanine Basinger, Anthony Mann, Wesleyan University Press, Middletown, CT, expanded edition, 2007.

John Harris, My Life and Travels in the Film World 1941-1996, privately published, Sussex, 1996.

Jörg Helbig, Geschichte des britisches films, J.B. Metzler Verlag, Stuttgart, 1999.

Justin Bowyer, Conversations with Jack Cardiff: Art, Light and Direction in Cinema, Batsford, London, 2003.

Karel Reisz & Gavin Millar, The Technique of Film Editing, Routledge, New York, reissue of 2nd edition, 2009.

Karol Kulik, Alexander Korda: The Man Who Could Work Miracles, W.H. Allen, London, 1975.

Kate Fleming, Celia Johnson: A Biography, Orion Publishing, London, 1991. Note: Kate Fleming is Celia Johnson’s daughter.

Kay Weniger, Das große Personenlexikon des Films, 8 Bände, Schwarzkopf & Schwarzkopf , Berlin, 2001. 

Kevin Brownlow, David Lean: A Biography, St. Martin’s Press, London, 1996.

Kevin Desmond, A Glimpse of Krasker, Eyepiece Magazine, Part 1: September 1990, Part 2: November 1990, Guild of British Camera Technicians, London.

Laurence Olivier, Bekenntnisse eines Schauspielers, Gerhard Beckmann, editor, Henschel Verlag, Berlin, 1988.

Leonard Maltin, Behind the Camera: The Cinematographer’s Art, Signet Books, New York, 1971.

Leslie Halliwell, Halliwell’s Film and Video Guide, Collins, New York, 2002.

Lilli Palmer, Dicke Lilli, gutes Kind, Droemer Knaur Verlag, Zürich, 1974. 

Manfred Barthel, So war es wirklich – Der deutsche Nachkriegsfilm, Herbig Verlag, Munich, 1986. 

Max Keller, Light Fantastic: The Art and Design of Stage Lighting, Prestel, Munich, 3rd edition, 2010.

Michael Korda, Charmed Lives: A Family Romance, Harper Perennial, New York, reprint edition, 2002.

Michel Ciment, Conversations with Losey, Methuen, London, 1985.

Mona Z. Smith, Becoming Something: The Story of Canada Lee, Farrar, Straus and Giroux, New York, 2004. 

Nicholas Wapshott, The Man Between: A Biography of Carol Reed, Chatto & Windus, London, 1990.

Oswald Morris, Huston, We Have a Problem: A Kaleidoscope of Filmmaking Memories, Scarecrow Press, Illustrated edition, February 2, 2006.

Peter Ustinov, Dear Me, Cornerstone, London 1997.

Peter William Evans, Carol Reed, Manchester University Press, Manchester, 2005.

Robert F. Moss, The Films of Carol Reed, Columbia University Press, New York, 1987.

Ronald Neame, Straight from the Horse’s Mouth, Scarecrow Press, Lanham, 2003. 

Rubeigh James Minney, The Films of Anthony Asquith, A.S. Barnes, Cranbury, 1976. 

Siegfried Kracauer, Theory of Film, Princeton University Press, Princeton, 1997.

Silke Bierhoff, Matthias Körnich, Karl Prümm, Kamerastile im aktuellen Film, Schüren Verlag, Marburg, 1999. 

Sue Harper, ‘Bonnie Prince Charlie’ Revisited, in The British Cinema Book, Bloomsbury Publishing, London, 2009, (now in 3rd edition, 2019).

Susan Marschall, Farbe im Kino, Schüren Verlag, Marburg, 2009. 

  • Publisher’s book page – “Marschall’s book [can be] considered the fundamental color theory of film art. Numerous colored illustrations make the book an impressive visual experience.”

Todd M. Endelman, The Jews of Britain 1656-2000, University of California Press, Berkeley, 2002.

Thomas Brandlmeier, Kameraautoren, Technik und Ästhetik, Schüren Verlag, Marburg, 2008.